Resin-made Australian magic comes to life in the Jaketto Phoenix.

Grip, more grip and a fancy tub with this fragrant American adhesive.

Like all Crow’s Customs picks, it’s very good-natured and quite cheery sounding, so sliding into my normal grim-faced, dramatic playing felt unwarranted. Single note work popped-out beautifully, and hybrid picking especially was a pleasure.

I really hate rubber ducks, actually.– Florentijn Hofman In keeping with the Ibanez tradition of naming products after wifi passwords, the BEL14ST10 Soft Elastomer is a strange, marvellous idea. Although I’ve covered rubberized picks here in the past – like the Wedgie – this is a different ballgame entirely, and something that I believe deserves […]

Unreservedly one of the most extreme designs in the Plectroverse, today’s review deals with the punishing, lustful prince of demons, Asmodeus.

A lot of people’s first introduction to Purple Plectrums was through Rob Scallon, they remain making some of the biggest, more outrageous picks on the market today.

Boy oh boy is this a shadowy Steven.

One maker who builds these tools is Pedro Scassa, a Brazilian architect living in Rome. No stranger to the Rep, Pedro has made some of the most heavily-used picks in my collection, and today, we’re going to look at one of his most unusual –

I brushed it until it shone and looked somewhat like it used to look, only far thinner, and less glorious.― V.C. Andrews It’s not often that a luthier makes picks, in earnest. Though there are exceptions to the rule, the majority of makers concentrate on specific fields and the refinement thereof, rather than spreading their talents […]

France is no stranger to a good plectrier. With the irrepressibly crazy Riki Le Plectrier making all sorts of mad things and their history of forward-thinking, our Gallic cousins are well represented. Given their history of being at the vanguard of plectrological development, I was excited to receive a bit of contact from Jean over […]